Beginning his essay, André Bazin dives right into the practice of embalming, how ancient Egyptians used to mummify bodies and keep them. Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image. andrebazincat. Andre Bazin is undoubtedly a famous figure in. “The Ontology of the Photographic Image” examines how the plastic arts preserve humans and reality through representation. Photography.

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Bazin also believes that, because of the technical and scientific method of photography, the aesthetic experience derived is much more in-line with personal perception. Painting could not escape the subjectivity of the artists because true likeness could not be achieved through the human hand.

Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image – The Motley View

FYI — I read the biographical information in Wikepedia. Thus, as a final blow, Bazin makes the assertion that photography is the most important event in the history of the plastic arts and then leads us into his article on the development of the language of cinema and how we analyze it. Why or why not? Caligari show this trend or certain scenes being coloured differently.

Painting and sculpture could aesthetically and emotionally capture the object but failed, in comparison with photography, to capture the physical characteristics of an object. The first article will be: It was meant to awaken people from a false reality and a false consciousness.


Historiography This is what Walter Benjamin argued about photography and film. Similarly, Bazin refers to surrealism photography as a means of awakening people from the false reality and false consciousness of photography. What Bazin did not go into much detail in the argument is about his personal opinion about this topic. Why do I think so?

The photograph is no more real than a painting or sculpture but to Bazin it reproduces reality od than creates an ersatz, or replacement, as does sculpture. Benjamin, however, went further in his argument that photography and film are harmful.

Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image

In the fifteenth century, Western painting turned from a concern with spiritual realities and aesthetics to one in which spiritual expression is combined with an imitation of the outside world that is as close as possible to reality.

And Bazin believes that this reproduction is treated, commonly, as if it is the object. To Bazin photography makes us see the world anew. It should be noted however that Bazin invests far too much faith in the technical process of developing film as an objective and not subjective process. But in the s, photographs of dead bodies were used like Egyptian statues as substitutes for ontoloogy bodies. What Bazin means here is that the reality is automatically captured by the mechanical object called a lens and the man photographer is absent from the entire process of re-producing the reality photograph.

Therefore to Bazin photography and Cinema, in the realist style, is a gust of wind which blows away the dust that settles on ontoligy way of seeing. Skip to main content. Help Center Find new research papers in: Click here to sign up.


The cart refers back to the painter and his paint. The process might reveal that at the origin of painting and sculpture there lies a mummy complex. Fill in your details below or click an icon to log in: Film takes photography to another level. They are still magical because they still create worlds.

Reblogged this on panyingfei. The opposite is true for Benjamin. In ancient Egypt the plastic arts, like statuary, were substitutes for dead bodies. Probably, his worsening health condition and his immense love for photography and cinema drove him into a philosophical contemplation about death and reach photgraphic conclusion that photography is the last word in argument with death.

André Bazin: The Ontology of the Photographic Image | Santosh Korthiwada –

South Yorkshire England View all posts by A. The first article will be:. Leave a Reply Cancel reply Your email address will not be published. Maybe photography renewed this sense of magic experienced in ancient Egypt.