Caggiati, Colorno, Italy. likes. Matthews International Martiri della Libertà, 71 – Colorno Parma +39 Fax + Upload a PDF or design from scratch flyers, magazines, books and more. Author: iof boschetto, Catalog: Catalogo monumenti Caggiati parte 2, Published: Sep. Catalogo monumenti Caggiati parte 7. Published on Sep 19, Catalogo monumenti Caggiati parte 6. Published on Sep 19, Catalogo monumenti.
|Published (Last):||4 July 2005|
|PDF File Size:||12.87 Mb|
|ePub File Size:||12.28 Mb|
|Price:||Free* [*Free Regsitration Required]|
The ornament suggests this natural cagglati in which commemorative monuments are historically situated. It also carries the images and the texts displaying the names and meanings of the projects.
The natural image of the outer forms reveals a heart of ancestral power, almost as if it were made of metal melted by the gravitational forces concentrated within the core of the rocks themselves. The shelf elements, in blue Corian, are shaped and smoothed into gentle forms. The innovation pursued here is aesthetical, of accurate sign and essential cattalogo. It rests lightly on the object, which also holds flowers, a metaphor for flora, and together they both drink from the same source of water.
The piece is made in solid PMMA which has been polished to create the effect of the refraction of light inside the material. The project is the visible result of a desire to profoundly change the product system relating to commemoration and commemorative ornaments. The atmosphere that is released is ethereal and impalpable.
Categoria: Non categorizzato
The resulting composition is of a profound dynamism. It is made in stainless steel, subsequently cold-set in the niche created on the front of the cube. The project is a plastic metaphor. The display system was created to render the design aspect of each element clear and interesting. The identification plaque is made with a wavy design that follows the profile of the urn. Caggixti, with caaggiati constant and silent growth, accompanies the flow of time.
Headquarters and Executive Offices: In this case, the two objects that make up the composition, the thin branches cafgiati the background and those in the foreground, merge into one single, expressive band of elements that redesign in a minimalist key a phytomorphic vine-like figure. The basic component consisting of intertwined branches is made in Corian. The system is modulated on a single vertical element of cahgiati size which, when appropriately arranged, assumes a caggiaati appearance.
In this project the marks left by time in turn become graphic signs of discontinuity and the rhythm of the horizontal element. The object, completely in stainless steel, is made up of three curved metal plates mounted on runners, allowing them to slide horizontally in order to freely set their length. The bird is in stainless steel, and is mechanically fixed to the surface of the cube to enable it to maintain a balanced plastic pose.
The forms are modelled by the forces of nature and refer to the image of rocks caggiagi over time by the flowing of the waves of a river.
The luminous bulb is characterised by a harmony of reflections and light created, in nature, by drops of water. The composition of the cwggiati is based on a principle that is unrelated to the traditional way of arranging flowers and lighting.
Caggjati shininess of the metal creates different reflections according to the curve that the piece physically assumes. The entire object may cata,ogo mounted on the left or on the right by simply inverting the back part. The transparent element is supported by a component in polished stainless steel super mirror that fixes it against the wall.
Features two specular figures for left and right mounting. In line with the collection of lamps and vases, the urn narrates an ancient, Etruscan-like form suspended in a transparent cube of a futuristic style, as if it were the digital reproduction of the effect that in nature captures elements inside amber. The body of the urn is made in PMMA of a warm grey colour.
The metal design is applied to the urn with an engraving technique. The image that accompanies the installation evokes the intrinsic meanings of each object and helps to recall the sensations that the project conveys. The bird delicately quenches its thirst at the vital source, giving continuity to the natural cycle of existence.
The perfectly transparent material in PMMA encloses an elegant form created through a sophisticated process of milling on different planes. The ancient symbol of infinity dates back to the romantic period.
The cube is in polished PMMA.