Handel: Allemande HWV • A minor • Dignified dance in 2/2 time • Several types of trill ornament • Two-part counterpoint (one line in each hand) • RH has the. Allemande in A Minor, HWV George Frideric HandelDaniel Estrem. Play on TIDAL. or open in our Desktop app. Share. The Allemande in A Minor has two independent melodic lines and presents a well-elaborated polyphonic character. The difficulty of this piece resides in.

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In the second half the phrase lengths become irregular, as is so often the case in Baroque music, and from bar 13 upbeat to 14 to the end they could be said to overlap.

Phrase lengths are quite regular in the first half, starting with an upbeat and continuing for two bars. However, with its origins in dance there is no need to make a pedantic or pompous impression.

This means the performer must play as if allemanse a phrase e.

Allemande in A minor, HWV 478 (Handel, George Frideric)

Here is a performance that demonstrates a stylish interpretation of this piece: The least interesting option would be to play all the LH legato. Students who prefer to play as much as possible hands together from the outset need to take this whole piece very slowly indeed, with absolute certainty about which finger goes with which. At grade 5 there will be an expectation that ornaments will be attempted, but simpler ones are still permissible.


The idea was to prolong the sound so that the chord would ring pleasantly through the instrument and give an extra dimension to the texture. Bar 12 is quite awkward to coordinate and will need careful practice however it is fingered. In bars LH the 5th finger moves in under the 4th but does not have to be played legato. The violin analogy is also useful for allrmande the phrases on the piano is a way that is not available to harpsichord players.

Georg Frideric Handel, Allemande in A minor, HWV | UIPianoped Wiki | FANDOM powered by Wikia

Imagining their bowing can help with articulation and phrasing. Experiment with different articulations in the LH as if the cellist wished to allemanse detaching and slurring different notes. A break can be made in the middle of the second beat of bar However, there is quite a range of possibilities for detaching and slurring.

As ever, ornaments are optional and must not disrupt the musical flow. The two-part texture of this piece could easily be imagined as a dialogue between a violin and a cello. Handle must be established and consistently used from the very first note learning.


Handel – Allemande HWV (Trinity Grade 4)

Holding down the chord notes beyond their notated value at bars12, 13, and 18 provides an insight into the way the melody sometimes makes counterpoint with itself — the top RH notes connect up in bar 9, the B and then the D, the C and then the E. For a hamdel satisfying performance the player needs to be aware of the original style but also able to use their instrument allemandde express everything the music is saying.

For the more musically mature student, the following technique is suggested, but is by no means obligatory for less competent students. The music should keep moving forward.

Security of fingering is therefore vital. It is wise to try out a preferred articulation in all the places that seem musically parallel e.