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The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon ( – ), is a The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the. Hello there all you beautiful, intelligent purveyors of music. I’m progressing very well indeed on the piano practicing at least 2 hours a day. Page 1. Hanon #2. Ascending. Ascending. 1 2 5. 12 5 4 3 4 3 2. Piano. 2:{.:•••• ..•••••••••••••••••••.:•.•.. 5 3 1 2 3 2 3 4. 5 5. 6s. ••. ด •••••. 6.

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But coming back to matter in hand, if you look at the left hand fingering suggestion you’ll see that finger 3 is used 3 times while finger 4 only 1.

Critics [1] argue that practicing in an unmusical way dulls one’s musical instincts, especially when forced upon children hhanon beginners though in hanonn introduction he does state that the book should be begun a year or so after beginning piano studywho need to cultivate their musicality rather than inure themselves to rote physicality.

Practice in different rhythms. Write a comment Comments: You can also transpose Hanon exercises within the cycle of fifths.

Continue to practice in this way until you reach bpm. The most common criticism of the Hanon exercises is that having students drill on purely physical exercises results in an unmusical, mechanistic attitude toward the piano.

Too often, teachers assign technical exercises as a shortcut to technical mastery. How come in the left hand part, it is the finger number 3 and not number 4 that plays the second note? The Virtuoso Pianist Le Pianiste virtuose by Charles-Louis Hanon — hajon, is a compilation of hanin exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.


Piano technique exercise N°2 in D

Some detractors, such as Abby Whiteside have dismissed the very notion of finger independence which they are intended to encourage, insisting instead that only a technique based on the use of the humerus can be effective. Play staccato, play legato, and play two-note slurs. Views Read Edit View history. Retrieved from ” https: Download the free piano sheet music.

May Learn how and when to remove this template message. If you played it easily, ##2 precisely with the metronome, move the tempo up one notch. Practice in different rhythms. Hao Huang believes that “Hanon, Schmitt or Czerny have been useful for beginning pianists, affording variety as an alternative to endless practicing of scales and arpeggios” but warns against “the idea of technical exercises as panacea”:.

After all hamon parts are mastered, Hanon recommends all exercises be played through daily to retain technique.

The Virtuoso Pianist in 60 Exercises – Wikipedia

The fingering remains constant in all keys. Practice with various dynamics. Download the free piano sheet music. How to practice piano more effectively: Please help improve this article by adding citations to reliable sources.

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Certainly, indiscriminate practicing of exercises can damage a pianist just as forcing repetition of a difficult piece. Dorothy Taubman is one of the well known pedagogues who campaigns against technical hxnon, asserting that they do far more damage than good. The Virtuoso Pianist – Part 1. The Piano Lessons Book: Continue to practice hwnon this way until you reach bpm.


The Virtuoso Pianist by C. I tell my students to use finger 4 as you suggested. Unsourced material may be challenged and removed. Problems playing this file? The Piano Education Page.

Piano technique exercise N°2 in C

You may promote Hanon exercises by printing and sharing the PDFs. The exercises are meant to be individually mastered and then played consecutively in the sections they are placed in. The Virtuoso Pianist by C. Of course you may do the jump with finger 4 but i find it might have an impact on how fluid you play this at higher speeds and any deviation will impact the other hand as well.

However, the applicability of these nineteenth-century exercises has been questioned by some piano instructors today. Practice this exercise slowly in the beginning metronome on It is further argued that musicality drives technique; the flow of musical expression is a potent motivator to finger agility.

Apart from increasing technical abilities of the student, when played in groups at higher speeds, the exercises will also help to increase endurance. Write a comment Comments: This does not prepare you to be either a pianist or a musician. Seems easier to me. You can also transpose Hanon exercises within the cycle of fifths. How to practice piano more effectively: Practice soft, loud and everything in between.