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Argentinean philosopher León Rozitchner theorized the political potential of the Peronist movement through a unique analytical matrix drawing. León Rozitchner (Q). Argentinian psychologist. Leon Rozitchner. edit León 1, × ; KB. 0 references. sex or gender · male. Génesis [LEON ROZITCHNER] on *FREE* shipping on qualifying offers. (Publication Date: ).

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León Rozitchner

Christianity and Capitalism Rozitchner thus worked for over fifty years in the domain where questions of politics and subjectivity come head to head, particularly in the historical contexts of left-wing populism and guerrilla struggles, right-wing authoritarianism, military dictator ship, and the transition to democracy.

Sadly, he would never leave the hospital.

But a similar temporal loop already overdetermines some of the earlier books. Production and development funding.

León Rozitchner – Wikidata

Film industry statistics and reports. Your National Lottery funded project. Latest from the BFI Latest news, features and opinion. Distribution and exhibition funding. Thus, while the investigation into Peronism was actually initiated well before the military coup of in Argentina, its underlying logic regarding the continued presence of war at the heart of politics as such, presented in a daring juxtaposition of Freud, Marx and Clausewitz, already anticipates not only the regime of terror under the military junta, but also the illusions that undergirded the later transition to democracy in Argentina.

Why would an incredulous Jew want to write, Rozitchner himself asks, about the Confessions of a Christian saint? Find out about international touring programmes. Main navigation for mobiles. Press releases and media enquiries. Archive content sales and licensing. Friedrich Adolf Kittler, — He was still full of optimism and vitality, confident that he was going to defeat the disease.


Find out about booking film programmes internationally. Selling to the BFI. Finally, it is also worth noting how Rozitchner seems to have devoted most of his work to critiquing others, be they friendly opponents, useful adversaries, or full-blown enemies.

However, this is not merely an analytical attempt to locate the origins of power — in the structure of the superego, for instance; rather, such an analysis also marks the onset of an alternative democratic politics that would be able in a completely different way to elaborate these profoundly affective and bodily materials with which subjectivity is constituted.

His last message came just days before he was to undergo surgery, in February A man of untiring energy and vitalism, he had formed many generations of younger scholars, intellectuals and activists. Future learning and skills. Teaching film, TV and media studies. Cristianismo y Capitalismo The Thing and the Cross: British certification and tax relief. Classroom resources for teachers.

Among them, there is no ethical sense, only a personal morality; there is not a single one who can take charge of his action and extend its meaning so as to reencounter in it the signification of the acts taken on collectively, by including the full materiality in which they are grounded.


The core of his proposal, which has remained remarkably — some would prefer to say stubbornly — consistent over the years, combines a thorough investigation into the roots of power and subjection in terror, on the one hand, with a wilful retrieval of the collective potential for rebellion and subjectivation, on the other.

He studied at the Sorbonne with Maurice Merleau-Ponty, whose Adventures of the Rozitcgner and Humanism keon Terror he translated into Spanish, and he wrote a thesis on Max Scheler, later published as Persona y comunidad Person and Community inbut he was scornful of the structuralism of Louis Althusser and Jacques Lacan. And yet, a strange halfsilence surrounded his own writings during much of his lifetime.

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This was the only time that we met in person, but something immediately clicked between us oeon we kept exchanging long letters by email in the final years of his life. Back to the top. Why Keynes was wrong. Future learning and skills — giving everyone the opportunity to build a lifelong relationship with film.

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